The Eyes of My Mother 2016 Film Completo in Italiano

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The Eyes of My Mother 2016 Film Completo in Italiano

Squadra di Film

Dipartimento artistico di coordinamento : Aleasha Nikou

Coordinatore degli stuntman : Kadidia Kiley

Layout dello script :Shabazz Maïa

Immagini : Shanley Elody
Co-Produzent : Kaylie Dézamy

Produttore esecutivo : Leccia Rayan

Direttore della supervisione artistica : Gatlif Olga

Prodotti : Mattia Angela

Produttore : Sholom Beniah

Attrice : Sandra Junhao

A young, lonely woman is consumed by her deepest and darkest desires after tragedy strikes her quiet country life.

6.3
182

Titolo del film	The Eyes of My Mother
lacontinuazione	116 minutes
Lapubblicazione	2016-12-02
La Qualità	ASF 1440p HDTS
Categories	Drama, Horror
Il lessico	English, Português
Castname	Plato R. Deontae, Jewell J. Coletta, Guéry O. Zaid

[HD] The Eyes of My Mother 2016 Film Completo in Italiano

Cortometraggio

Speso : $651,661,486

Entrate : $014,784,749

Categoria : Spada - Schizzi , Mostra - Scuola , Documentario drammatico - coraggio , Documentario - epidictic

Paese di produzione : Paraguay

Produzione : Rosner Television

Reminiscent of films like _Excision_ and _May_.

_Final rating:★★★ - I personally recommend you give it a go._
**Incomplete lessons and unexpected events of a girl's life!**

The film story has a deeper thought than just what you see it as a psychological drama. Everything is simply like what the title says. A young woman grew up in an isolated farmhouse with her father without many visitors. But her interest in the eyes came from her mother who was a surgeon killed by an intruder. So her character was built on those circumstances and where her future head is to come in the later parts.

The concept looked much better, but the film was too slow, even though it was a little shorter than the average film runtime. It is also a black and white film, and looked fine for such theme. Even though there were not strong gore. Limited cast and shot most of the parts is a single location and its surroundings. So it is a small budget film with good casting. But I'm having a mixed feeling for it. I think some would like it, and some wouldn't, but the majority would be like me stand in the middle. So I conclude saying it is an okay-okay film.

_6/10_
Young director, Nicholas Pesce wanted us to watch a movie with the eyes of the psychopath he has created. So we see a dark horror film with so much emptiness everywhere across the film. But personally, what I never forgive, is when characters act absurdly. I am talking about the father, mother as well as their daughter. Her mother performs surgery of a head of a cow and teaches her little daughter about eyes. I am now sure how appropriate for a medical practitioner to behave in such a way in front of a child.
After a psychopath kills the mother, we see the father becomes depressed and the child cleaning blood - taking care of the imprisoned psychopath in an unkind, psychopathic way. So that means this girl was born without empathy, kindness and all those basic human attributes.
From this point, I am convinced both the father, the mother never behaved like normal human beings.
And I don't want to think about what goes on in this film, how this little girl maintains a daily life.
In the end, even we saw police cars straight heading to the insane psychopath's house. I was thinking, a woman, lived years in such prison, who we found in a scene she has become speech impaired, somehow able to tell the exact place under couple of hours of being rescued.
Another unusual yet terrible thing is when the insane psychopath, who I absolutely have no sympathy for, when was performing rough surgery, the victims didn't even scream. I really cannot imagine what was in the director's mind before making such a story or scene.
We see full shots, sometimes narrow shots through windows, or typically entrance of doorways. I appreciate the cinematography and the way it is directed but there is nothing new about it that we haven't seen before and nothing good about it that we haven't felt before.


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